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The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are thrilled to announce the 38th Annual All-Media Juried Art Exhibition. Artists of all ages and experience levels from around the Antelope Valley and the 5th Supervisorial District of Los Angeles County have participated in the exhibition, submitting pieces of various art mediums. On Saturday, May 27 artists were honored during the award ceremony were over $1,000 were granted by the Lancaster Museum and Public Art Foundation and various small businesses, community organizations, public officials, and other sponsors. The exhibition will run from Saturday, May 27 to Sunday, July 9, 2023

Vendor Application What do you sell? Submit Thanks for submitting! Local small business welcome! Artisans and craftsmen, come share your wares with the world. (No food.)

May 22 - June 27, 2021 Video Submissions Maggie, SanFilippo A Painterly Flow, 2020 Watercolor, Digital Acuarela, Digital JS2021.132 TJ, Tario Intermezzo, 2020 Film Película JS2021.9

MOAH:CEDAR's Generous Sponsors & Cultural Partners Hernando & Fran Marroquin Mark & Hilarie Moore Family Trust

March 27 - May 2, 2021 Watch The Special Reception The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are excited to announce the Museum’s 36th Annual High School Student Art Exhibition! Hosted virtually by MOAH:CEDAR, an institution that has a long standing history of being recognized as the community hub of art and culture. This highly anticipated event promises an unforgettable opportunity for students and community members alike. Media categories featured in the exhibition include: painting, drawing, ceramics, digital and film photography, 2D and 3D and mixed media.

Figuratively Jose Lozano December 7, 2019 - February 9, 2020 Back to All Exhibitions Jose Lozano is a multimedia artist who is considered a principal in the Los Angeles Latino arts scene. His figurative drawings, paintings, and mixed media works transform everyday scenarios into humorous and satirical subject matter. His playful style and curiosity give his work a mischievous and childlike quality. Combining social issues such as identity, cultural erasure, and cultural amnesia with comedic elements makes his work approachable. This accessibility creates an entry point for the viewer to imagine themselves in a scenario that may be unfamiliar and foreign while challenging a dialogue of understanding and tolerance. Jose Lozano received his Master of Fine Arts degree from California State University, Fullerton. His drawings and paintings have been exhibited widely at venues that include the Museum of Contemporary Art in San Diego, The Hammer Museum at the University of California, Los Angeles, Orange County Museum of Contemporary Art, Patricia Correia Gallery, Self Help Graphics and Art in Los Angeles, California and Avenue 50 Studio, Inc in Los Angeles, California. He has received many awards including a J. Paul Getty Mid-Career Grant in Painting and a California Arts Council Grant for Drawing and Painting.

Solstice Various Artists May 30 - June 28, 2015 Back to All Exhibitions Marthe Aponte, Christine Kline, Antoinette De Paiva and Terry Cervantes led an intimate and explorational tour about their artistic processes.

Celebrate Lancaster Various Artists October 21, 2017 - January 6, 2018 Back to All Exhibitions Celebrate Lancaster highlights various features of culture throughout the region’s existence, spanning from prehistory to contemporary times. Key characteristics of life in Lancaster will be accentuated through displays of archival records and three-dimensional objects from MOAH’s permanent collection, detailing the area’s transition from a small western town into an official California city. Primary themes include: paleoindian and prehistoric archaeology, early pioneers and colonizers, local industries such as mining, railroads and agriculture, traditional fairs and festivals and other ephemera contributing to the distinctiveness of this high-desert settlement. Highlighting the moments in Lancaster’s history that make it a unique cultural destination, Celebrate Lancaster tells the story of the City’s inimitable heritage, valuable to both local residents and visitors to the region.

Artists Dean and Laura Larson collaborate in a cautionary series of stories chronicling the consequences of climate change and extinction told through the lens of the Larson’s hybrid animal-human creatures called The Mourners . Inspired by the 14th and 15th century sorrowful alabaster figures of monks and clerics surrounding the tomb of John the Fearless, the second duke of Burgundy, the Larson’s take these symbols of religious devotion and create their own figures grieving the loss of life on earth. Through Dean’s digitally manipulated photographs and Laura’s anthropomorphic figures, The Mourners traverse different historical periods of time in Europe. Their journey starts from the rudimentary beginning of time to the eventual destruction of Earth to examine, lament, and eventually create their own surrealist utopia. Together, the Larson’s have a combined experience of 90 years making art. Dean and Laura Larson’s collaborative imagery uses the parlance of storytelling, through digital images and sculptures. In 2015, drawing from Dean’s love of architecture and landscape and Laura’s fascination with medieval sculpture, they began combining their photographic images from various locations, especially Europe. Dean and Laura live in Los Angeles and have both shown their work extensively over the course of their marriage, individually and collaboratively , as well as nationally and internationally.

There is a specific moment when we suspend our disbelief and are seduced by an illusion. When this happens, we are not looking at something, but looking at ourselves perceiving it. This exhibition psychoanalyzes the horrors of our current pandemic, political warfare, personal trauma, and the mental delirium of quarantine. The paintings scintillate and fade between sinister and majestic, grotesque and imperial, exposing the emotional upheaval of cognitive dissonance and dissociation. Using obscured installation and subtle shifts of color and light temperature, the viewing experience becomes nuanced and introspective. More broadly, the paintings also engage in a conversation with intersectional queer feminism, traditional voyueristic compositions, the male gaze and socio-sexual empowerment issues. Aesthetically, they illuminate an Old Master style; the subjects are posed, the mood is dramatic, but they also exploit and contemporize it; the locus of composition is skewed, the light logic is reversed. Meticulously choreographing a dramatic dynamic between the subject and the space it occupies, the work is able to guide, critique and call into question the generic way a painting is received. The work is aimed to reify a psychological and reflexive viewing experience that ultimately transcends the viewer into an unknown consciousness. Feeney’s paintings are published in Huffington Post, Manifest, Juxtapoz, BeautifulBizarre, Young-Space, Uproxx and Art in America. She has been awarded fourteen solo shows and thirty seven selected group exhibitions in the past five years. Her credentials also include numerous national and international art residencies and first place honors at juried group competitions. She has a Bachelor of Arts from University of California Los Angeles and a Master of Fine Arts from Laguna College of Art and Design. Feeney is a college professor and exhibiting artist based in Los Angeles