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- Spirits
MOAH:CEDAR opened its Spirits show, highlighting work by local artists Johnny Dearest and Ricardo Cisneros. Both Dearest and Cisneros explore the tension born of contrasts in their art, which is informed by their shared desire for an alternative to the material world. Featuring fantastic, ethereal imagery, Spirits addresses the exhibiting artists’ disillusionment with reality. Johnny Dearest: SPAT Ricardo Cisneros:GHETTO /GOTHIC
- Legacy of Care: 70 Years of Medical Innovation
Legacy of Care: 70 Years of Medical Innovation Antelope Valley Medical Center August 2, 2025 - September 28,2025 Back to All Exhibitions Legacy of Care: 70 Years of Medical Innovation celebrates the history, progress, and enduring community impact of the Antelope Valley Medical Center (AVMC) since its opening in 1955. Through historical objects, photographs, and ephemera from the medical center’s archives, the exhibition highlights AVMC’s evolution over the last seventy years.
- Personal Territories, CEDARFEST, Juried Show 2017
Personal Territories, CEDARFEST, Juried Show 2017 Dani Dodge and Various Artists June 17, 2017 - August 5, 2017 Back to All Exhibitions The Lancaster Museum of Art and History and MOAH:CEDAR are excited to announce the 2017 Annual Juried Arts Festival. The exhibition kicks off with CEDARFEST, a one-night-only festival celebrating the artists. The festival will take place Saturday, June 17th, from 4 PM – 8 PM This year’s jurors include local, internationally recognized artist Robin Rosenthal and Los Angeles Artist Nicolas Shake. Artists interested in submitting work should note that the museum will only accept entries through Café (callforentry.org). For those unfamiliar with online submissions, workshops detailing the process will be available at MOAH May 25th and May 27th, from 6:30 PM to 8 PM Participants will have the opportunity to submit their work through Café’s online system during these workshops. The submission period for CEDARFEST runs from April 28th to June 2nd. CEDARFEST, the exhibition, will be on view Saturday, June 17, through Saturday, August 5, 2017. Upper and lower galleries will be open to the public during MOAH:CEDAR’s hours of operation, Thursday – Sunday, 2 P.M. – 8 P.M. Community members are invited to view the art and share photos on social media using #CEDARFEST . Visitors are also encouraged to vote for their favorite pieces using #CedarfestPeoplesChoice2017 , as the artwork with the most votes on Instagram will receive a special prize following the exhibition. All exhibiting artists will receive an electronic catalog listing all participants and their displayed works. Dani Dodge’s “Personal Territories” maps out a new way of looking at home Lancaster, CA — When we are young, we want nothing more than to get away from home. As we age, some of us want nothing more than to be home. Dani Dodge’s installation maps her own history of home and encourages visitors to consider their own tales of personal territory. Opening June 17 at MOAH:CEDAR, “Personal Territories” is a room-sized interactive installation that incorporates video and sculpture while allowing members of the public to contemplate their own memories of home. Dodge is known for crafting evocative interactive works that reflect ideas of home, formation of identity, and the secrets we hide in public and private spaces. She explores how many layers of transparency are required before opacity occurs. Opening reception: 6 to 8 p.m. Saturday June 17, 2017 Location: MOAH:CEDAR, 44857 Cedar Ave., Lancaster, California Exhibition runs through August 5, 2017 Hours: 2 to 8 p.m. Thursday through Sunday Cost: Free Additional events: The exhibition will include four events—July 1, 8, 15, and 22—outside of the museum walls to engage the community in a dialogue about the personal territory we all tread. To create the work, the artist, who grew up in California, relearned the art of sewing, something she abandoned after doing poorly in home economics at age 14. She re-creates her childhood bed in clear vinyl and shades of translucent fabric, hanging it from the museum ceiling. Each piece is a striation in her journey. Threads dangle from the seams. A time-lapse video, reminiscent of Dodge’s childhood territory, projects onto and through the objects. It is at once visible and obscured as it plays upon the surfaces. The installation allows the public to wander through this ephemeral representation of Dodge’s personal history, rendered in dreamlike colors and textures that at once conceal and reveal the details of her youth. Sculptures made from the skins of mattresses dot the room. Visitors are invited to share their own childhood memories and ideas of home on wood blocks—one of the most solid items within the room—and hide them in shoeboxes under the bed. Inspired by her personal history as a war correspondent, political journalist, and a young single mother who at one point lived in a car with two infants, the artist’s sculptures and installations reveal a range of powerful themes, including identity, memory, the fragility of home, and the nature of truth. At the same time, Dodge’s installation seduces viewers with its delicate monumentality and subtle but perilous beauty. While no less contemplative, her “Personal Territories” public performances will be a celebration of community and home. At locations throughout Lancaster, she invites the public to share their own truths with her and others. The paper airplanes, drawings, and stories that result from the encounters will be on view at MOAH:CEDAR. Personal Territories: Events Interactive Art with Dani Dodge Saturday, July 1, 11 a.m. – 2 p.m.: Joe Davies Heritage Airpark Horizons Beyond the Homefront Participants fold paper planes, write where they want to go on them and toss them into the “horizon.” Saturday, July 8, 11 a.m. – 2 p.m.: Prime Desert Woodlands The Earth Is My Home Participants fill in a 4-foot-tall image of the Earth with their thoughts and drawings of what the planet means to them. Saturday, July 15, 11 a.m. – 2 p.m.: Los Angeles County Library – Lancaster The Setting for my Story Is Home We all have a story to tell. Participants tell the artist a short story about their home, wherever or whatever it is. The artist creates a title for the story and types it on a vintage library reference card that the participant then files into a library card file. Saturday, July 22, 11 a.m. – 2 p.m.: Western Hotel Museum Home as Heritage Visitors to the museum think about their own heritage. They share the name of a relative who was a foundation of their family and a short story about that person. The artist types the story in no more than three sentences on parchment paper that becomes a “book.” Bio: Dani Dodge lives and works in Los Angeles. Her work is included in three museum collections and has been shown across the U.S. and internationally. In 2016, Americans for the Arts named Dodge’s interactive installation/performance “CONFESS” one of the outstanding public art projects of the previous year. She is a former newspaper reporter who was part of a team that won the Pulitzer Prize for exposing congressional corruption in 2006. She was embedded with the Marines during the invasion of Iraq in 2003, and covered the aftermath of Hurricane Katrina in 2005. She left journalism in 2008 to focus on art. Websites: DaniDodge.com & lancastermoah.org Note: Dodge’s opening reception is being held in conjunction with the 32nd Annual All-Media Juried Arts Festival, CEDARFEST, hosted by the Lancaster Museum of Art & History (MOAH) and MOAH:CEDAR.
- Echoes of Nature
Echoes of Nature Nathaniel Ancheta August 3 - September 15, 2024 Back to All Exhibitions Artist Talk: Sunday, September 15 | 3-4 PM Echoes of Nature explores the practice between humanity and the natural world. Through three diverse yet interconnected pieces, this exhibition delves into themes of self, representation, language and technology. It underscores the importance of self-reflection, the influence of language, and the roles of technology in shaping our understanding of the natural world and ourselves within it.
- 38th Annual High School Student Art Exhibition
The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are excited to announce the Museum’s 38th Annual High School Student Art Exhibition! Hosted by MOAH:CEDAR, an institution that has a long standing history of being recognized as the community hub of art and culture. This highly anticipated event promises an unforgettable opportunity for students and community members alike. The opening reception will take place on Thursday, March 30 from 5-7 PM with an awards ceremony at 6 PM. The exhibition will remain on view through April 30, 2023. The gallery will be open to the public during MOAH:CEDAR’s hours of operation. Media categories featured in the exhibition include: painting, drawing, ceramics, digital and film photography, 2D and 3D and mixed media.
- Living in the Mojave
The Lancaster Photography Association (LPA) is a non-profit organization formed in the 1960s by local photographers who wanted to share their love and enthusiasm for photography. LPA promotes education, information, inspiration, and opportunity for all persons interested in photography and that supports the philanthropic endeavors in the community through photography. The exhibition, Living in the Mojave, centers around the entire breadth of life and experience present within the Antelope Valley. Featuring: Bob Fields,Carol Moss, Christine Wilkins, Darren Cole, Dean Webb, David G. Wilkins, Fran Marroquin, John Geldermann, Kathryn Newman, Lidia Csernyey, Oran Z. Belgrave Sr., Robert A. Miranda, Shirl Airov-Bieling, Terry E. Dickerson, Thomas Van Langenhoven, Tom Jordan
- 40th Annual All Media Juried Art Exhibition
The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are thrilled to announce the 40th Annual All-Media Juried Art Exhibition. The exhibition will celebrate participating artists with an opening reception on Saturday, June 7. The opening reception will begin at the gallery in MOAH:CEDAR from 4-6 PM. Afterwards celebrate with us at the Award Ceremony at the Lancaster Museum of Art and History from 6-8 PM. At the Award Ceremony over $1,000 will be awarded to participants by the Lancaster Museum and Public Art Foundation and various small businesses, community organizations, public officials, and other sponsors. The exhibition will run from Saturday, June 7 to Sunday, July 20, 2025. Learn More
- Living in the Mojave
Living in the Mojave Lancaster Photography Association February 22, 2020 - March 2020 Back to All Exhibitions The Lancaster Photography Association (LPA) is a non-profit organization formed in the 1960s by local photographers who wanted to share their love and enthusiasm for photography. LPA promotes education, information, inspiration, and opportunity for all persons interested in photography and that supports the philanthropic endeavors in the community through photography. The exhibition, Living in the Mojave, centers around the entire breadth of life and experience present within the Antelope Valley. Featuring: Bob Fields,Carol Moss, Christine Wilkins, Darren Cole, Dean Webb, David G. Wilkins, Fran Marroquin, John Geldermann, Kathryn Newman, Lidia Csernyey, Oran Z. Belgrave Sr., Robert A. Miranda, Shirl Airov-Bieling, Terry E. Dickerson, Thomas Van Langenhoven, Tom Jordan
- Smaller Footprints: Artists Examine Global Warming
Smaller Footprints: Artists Examine Global Warming Various Artists January 28, 2016 - March 2016 Back to All Exhibitions On Saturday, January 30, MOAH:CEDAR’s exhibition, Smaller Footprints, opened as part of the Lancaster Museum of Art & History’s (MOAH) award-winning Green MOAH Initiative. This exciting exhibition, which featured international artwork that addressed the subject of climate change, marked a partnership between the Museum and the Women Eco Artists Dialog (WEAD), a group of arts professionals working with environmental and social justice issues. Smaller Footprints showcases work that reflects the life-altering effects of climate change and its impact on water, food, human health, social justice, and species loss. The exhibit was curated by Linda Weintraub, WEAD member and prominent American eco-art writer/educator; WEAD cofounder/chair Susan Leibovitz Steinman; and MOAH/Cedar administrator/curator Robert Benitez. Smaller Footprints is a celebration of the 20th anniversary of WEAD’s distinguished history. Of the inspiration behind the exhibition, Weintraub states, “Impending climate calamity impinges upon all humans and all forms of life. Smaller Footprints promises to leave larger imprints upon the sensibilities of all viewers.” Smaller Footprints Juried Artists: Celia Anderson, Krisanne Baker, Laura Spalding Best, Lisa Breznak, Sandra Camomile, Reenie Charriere, Katie Craney, Nicole Dextras, Pascaline Doucin- Dahlke, Danielle Eubank, Nancy Gesimondo, Angela Gonzalez, Gina Herrera, Elizabeth Kenneday, Water Kerner, Artists Formerly Known As Women, Laura Larson, Olga Lebedeva, JJ L’Heureux, Joanne Mattillo, Sandra Mueller, Leslie Morgan, Aline Mare, Christine Neill, Anna Olsson, Paula Ortega, Katharine Owens, Meike Paniza, Bonnie Peterson, Alice Raymond, Robin Repp, Yolanda Reyes, Fabiola Rodriguez, Ilse Schreiber-Noll, Seda Saar, Soraya Sharghi, Jessica Stalvey, Lorna Stevens, Suzy Sureck, Ruth Wallen, Riva Weinstein, Tammy West, Elizabeth Wood, Shai Zakai. WEAD Board Participating: Krista Anandakuttan, Christina Bertea, Hagit Cohen, Verona Fonte, Michele Guieu, Isabella La Rocca, Carol Newborg, Sharon Siskin, Susan Leibovitz Steinman, Andree Thompson, Mary White, Raheleh Minoosh Zomorodinia.
- Juried Art Exhibition 2018
The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are excited to announce the Museum’s 33rd Annual All-Media Juried Art Exhibition. The exhibition kicks off with an opening reception celebrating local artists on Saturday, May 5 from 4 to 8 p.m. Beginning at 6 p.m. an awards ceremony will take place where over $1,000 will be awarded to participants. The exhibition will run from Saturday, May 5 through Sunday, June 3. This year’s jurors include local, and regionally recognized artist, Tina Dille, and Director of Los Angeles-based artist marketing firm, Shoebox Projects, Kristine Schomaker. Artists interested in submitting work should note that the Museum will only accept entries online, through CaFE (www.callforentry.org). For those unfamiliar with online submissions, information sessions detailing the process will be available at MOAH on April 25 from 3 to 6 p.m. Participants will have the opportunity to submit their work through CaFE’s online system during these sessions with the assistance of MOAH staff. The entry period for the 33rd Annual All-Media Juried Art Exhibition runs from now through April 27. For more information regarding information sessions and submission guidelines, visit facebook.com/moahcedar. A $2 processing fee will be charged for a single submission with guaranteed acceptance. Each additional submission (up to three pieces total) will charge an additional $5, which will be submitted for jury. The exhibition, will be on view Saturday, May 5 through Sunday, June 3 during MOAH:CEDAR’s regular hours of operation, Thursday through Sunday from 2 to 8 p.m. Community members are invited to view the art and share photos on Instagram using #MOAHJuried2018. Visitors are also encouraged to vote for their favorite pieces using #MOAHPeoplesChoice, as the artwork with the most votes on Instagram will receive a special prize following the exhibition.
- Concert Series Welcome Page | MOAH:CEDAR
Hello We're excited to hear you perform for Concert Series! Here's some helpful information to get you started. MOAH:CEDAR concert series is a paid gig, streamed virtually every fourth Saturday of the month. We invite the most talented artists in the Antelope Valley to come jam with us for an evening in the museum. Application Submission If you haven't already, please fill out the Concert Performance Application , with all the necessary information and attach any band logo's or band images that you may have on hand. What you can expect: - Acts are paid $100 for 30 minute sets - Performers should arrive an hour before their allotted set-time - MOAH staff will meet them to load-in their gear as soon as they arrive, and they can use any time leftover until we need to begin set-up to relax, grab snacks, use the restroom, etc. - Each act plays for 30 minutes unless specifically asked to do otherwise - Bands must bring all of their own equipment with the exceptions being: PA system, microphones, power strips, & all or parts of their drum kits. (5-piece Pearl backline kit available upon request.) -The Concert Series live stream is filmed on the third floor of MOAH, not MOAH: Cedar. Address: 665 W Lancaster Blvd Rules All equipment must be loaded in through the back entrance of MOAH. (There is a parking lot and loading area that acts can use.) Masks are required for all band members during setup, but may be removed during performances. All band members should arrive within an hour of their set time. Only performing band members are allowed into the MOAH building. No drugs (including alcohol and cannabis) may be brought in/consumed on MOAH property. Violations will result in a ban. In order to be paid, all acts must complete a W-9 tax form and invoice. Concert Series is an uncensored program. All language is permitted so long as it is not hate speech. Have fun! W-9 Form Information W9 forms are issued to performers prior to payment for tax and record keeping purposes. To learn more about why W-9 forms are necessary please visit www.irs.gov/forms-pubs/about-form-w-9 . (The W-9 looks like this. ) Invoice Information Invoices are requested from performers for record keeping purposes. Please note: The name and address listed on the invoice must match the name and address listed on the W-9. (Feel free to use this one as an example. ) Got a question? Email us at moahcedar@cityoflancasterca.org
- Imagined Hybrid
Imagined Hybrid Diane Williams December 7, 2019 - February 9, 2020 Back to All Exhibitions Diane Williams is a non-binary immigrant artist from the Philippines whose interdisciplinary work stems from the political and social landscape that surrounds her—specifically the ethnically diverse neighborhoods of Los Angeles. These neighborhoods are a “melting pot,” a testament to the idea that people of diverse backgrounds and identities can live harmoniously. By creating works regarding immigrants and gender, Williams’ work encourages cultural and social understanding by focusing on the duality, hybridity, and ambiguity that exists in diverse cultural narratives and identities. In the series Monsters and Aliens, Williams creates a variety of masks crafted from what she calls “cultural detritus”: shredded paintings and other discarded materials such as fabrics and yarn that have been salvaged from local shops that are traditionally owned, run and supported by immigrants. She wears these masks to signify “other” in her performances and self-portrait photographs. By completely covering the wearer’s face, the mask both takes away their humanity and transforms them into a human/animal hybrid, recalling female monsters from Ancient Greece, such as Medusa, the Sirens, and Chimera. These creatures were considered powerful, evil, and frightening. Williams wants the viewer to question what they fear from strangers and reflect on their own prejudices with respect to race and gender. Diane Williams is an interdisciplinary artist and organizer based in Los Angeles, California. She earned a Bachelor of Fine Arts degree from California State University, Long Beach in 2013 and is currently a 2021 Master of Fine Arts candidate at the University of Southern California. Her work has been featured in select publications and radio interviews including Los Angeles Magazine, LA Weekly, Artillery, Art and Cake, P&A Magazine and KPFK. Williams exhibited in several solo and group shows at the Armory Center for the Arts, Walter Maciel Gallery, The Lancaster Museum of Art and History, PØST, Cerritos College Gallery, Robert and Frances Fullerton Museum of Art RAFFMA, Children’s Museum of the Arts New York, Berkeley Art Center, San Francisco Arts Commission Galleries SFAC and Grafiska Sällskapet Stockholm, Sweden among others. Her art is held in private collections and the public collections of the National Immigration Law Center, Los Angeles and Washington DC headquarters and Azusa Pacific University.















