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The Lancaster Museum of Art & History and MOAH:CEDAR are excited to announce that, beginning this June, the museum’s annual all-media juried exhibition will be moved to the Cedar Center for the Arts. The exhibition kicks off with CEDARFEST, a one-night-only festival celebrating the artists. This year’s jurors include local, internationally recognized artist Stevie Love and Los Angeles Arts Association Executive Director and curator Peter Mays. CEDARFEST, the exhibition, will be on view Saturday, June 4th, through Saturday, July 9th, 2016. Upper and lower galleries will be open to the public during MOAH:CEDAR’s hours of operation, Thursday – Sunday, 2 P.M. – 8 P.M. Community members are invited to view the art and share photos on social media using #CEDARFEST. Visitors are also encouraged to vote for their favorite pieces using #CEDARFESTCHOICE2016, as the artwork with the most votes on Instagram will receive a special prize following the exhibition. All exhibiting artists will receive an electronic catalog listing all participants and their displayed works. Jurors Stevie Love lives and works in Juniper Hills in the foothills overlooking the Mojave Desert one hour north of Los Angeles in an adobe house that she and her husband made by hand. She earned a Bachelors degree at California State University at San Bernardino and a Masters of Fine Art degree from Claremont Graduate University in Claremont, California. Since earning her Masters degree, she has been developing a diverse body of work that transcends the boundaries between painting and sculpture, using paint as a sculptural medium, paint that is released from the confines of the customary rectangle, blurring the boundary between us the viewer and the relationship we usually have to painting as a pictorial metaphor, instead bringing paint to us as its own reason for being. The play back and forth between metaphor and reality gives the work a life all its own. Peter Frank has described her work as “the moment where pictorial language and mental imagination, conventional thought and erratic vision give way to one another”. Peter Mays is the Executive Director of the Los Angeles Art Association (LAAA) and its premiere La Cienega exhibition space Gallery 825. Mays believes LAAA is now poised to launch the next phase of the 91-year-old organization’s expansion and commitment to Los Angeles’ emerging artists. Since joining LAAA in June 2005, Peter has implemented cultural exchanges with Switzerland (Basel), Korea, Germany and China along with initiated collaborative programming with institutions like Harvard, MoCA and Otis. As well as with artists Tim Hawkinson and Lita Albuquerque, secured the very best curators to jury LAAA exhibitions, increased LAAA’s career development programs and direct services by 30% and created LAAA’s public art program which was selected as one of the top public art works completed in 2010 by Americans for the Arts. CEDARFEST Award List Best of Exhibition: Christine Kline, Outlook. 2nd Best of Exhibition: Christopher Darga, Woman in Hat 3rd Best of Exhibition: Marthe Aponte, Virtual Landscape Beryl Amspoker Memorial Award: Rose Rieux , Genesis Emerging Artist Award: Nuri Amanatullah, Displacement Lakes and Valleys Art Guild Award: Christopher Darga, Woman in Hat Dean Webb Memorial Award: Helen Henry, Step On In Painting 1: Geoffrey Levitt, Night Train Lights Painting 2: Bryan Ida, China Basin Painting 3: Pablo Mercado, Self Portrait Photo 1: Juan Jimenez, Downtown L.A. 3rd Street bridge Photo 2: Chung Ping Chen Photo 3: Jamerson Adams Illustration 1: Nuri Amanatullah Illustration 2: Rose Rieux Illustration 3: Neil Vilppu 2D Mixed Media 1: Ulrica Bell 2D Mixed Media 2: Julius Eastman 2D Mixed Media 3: Eduardo Esquivel 3D Mixed Media 1: Katherine Stocking-Lopez 3D Mixed Media 2: Shahin Massoudi 3D Mixed Media 3: Terry Cervantes Honorable Mentions: Ezequiel Marzochetti Sal Silvestre Vasquez Douglas Wade Terry Cervantes Christine Kline Karen Stocking Jim Kelso Amanda McIntosh

Regarding Us Chain Letter Project Various Artists July 11 - August 22, 2015 Back to All Exhibitions The Regarding Us Chain Letter Project is a self-curated group exhibition celebrating creativity in the Antelope Valley. The process began with a small group of artists who were initially invited to show their work by community engagement artist Rebecca Niederlander. This group then each invited 5 artists to also participate. Those 5 invited 5 more artists, thus leading to your invitation. The process will continue on with more invitations until the installation date. The result is an exponentially massive, community-curated project filled with work by an extraordinary array of Antelope Valley creatives. The Regarding Us Chain Letter Project is a part of Antelope Valley Art Outpost, a creative placemaking project that supports regional vitality in the Antelope Valley.

Monica Wyatt is an artistic alchemist, transforming collected materials into precious objects. She fuses the history of the materials together to create new beginnings, representing the cyclic nature of all things. By reimagining objects and their composition, Wyatt is able to more uniquely speak about her inspirations, interventions and intentions. The objects she creates make space for the viewer to enter, navigate, commune, and reflect. The works on display are transformations of man-made objects into forms that signify qualities of nature. Wyatt challenges her audience to consider the aesthetic traits of each object rather than judge them by their intended use. In her assemblage, electric capacitors resemble plant life and zip ties mimic deep sea creatures. She dissembles pianos, organs, cables, sieves, and other utilitarian items from a past when people valued human production and craftsmanship. Continuum is Wyatt’s first installation in her ongoing collaboration with curator Jill Moniz.

The Regarding Us Chain Letter Project is a self-curated group exhibition celebrating creativity in the Antelope Valley. The process began with a small group of artists who were initially invited to show their work by community engagement artist Rebecca Niederlander. This group then each invited 5 artists to also participate. Those 5 invited 5 more artists, thus leading to your invitation. The process will continue on with more invitations until the installation date. The result is an exponentially massive, community-curated project filled with work by an extraordinary array of Antelope Valley creatives. The Regarding Us Chain Letter Project is a part of Antelope Valley Art Outpost, a creative placemaking project that supports regional vitality in the Antelope Valley.

Bird by Bird Jodi Bonassi January 8, 2022 - March 13, 2022 Back to All Exhibitions The beauty of drawing birds opened artist Jodi Bonassi’s heart to self-reflection and to the mysteries of nature and the universe. The bird soars, linking all the elements together. Earth and sky and water all flow continuously. She looked up, away from the complications of being human. She drew and painted birds on paper and canvas. There were shopping bags accumulated during the pandemic... she re-purposed the bags and drew a bird on each one to symbolize the temporary nature of all things. Birds symbolize freedom and Bonassi wanted to be free. She was accepted to the Parliament of Owls Ayatana Research Residency - a bird residency and bird school for nature artists. She found camaraderie among other artists from all over the world. On Instagram, Bonassi now know artists globally in a deeper way. Nature is a collaborative link that is deeper. She posted on Instagram and received a tremendous outpouring of interest from bird enthusiasts, nature photographers and everyday people who want to create. Beyond patience and the wonderfully relaxing nature of studying the birds, Bonassi found others wanting her to draw the birds they had taken pictures of. This series is a confirmation that we all seek to journey together through creating. Bonassi has felt a serenity and connection to others not previously felt. Thankfully she has a lot of patience as drawing a bird requires deep concentration. Every small thought disappears. You are mindful and free to soar…

Celebrate Lancaster highlights various features of culture throughout the region’s existence, spanning from prehistory to contemporary times. Key characteristics of life in Lancaster will be accentuated through displays of archival records and three-dimensional objects from MOAH’s permanent collection, detailing the area’s transition from a small western town into an official California city. Primary themes include: paleoindian and prehistoric archaeology, early pioneers and colonizers, local industries such as mining, railroads and agriculture, traditional fairs and festivals and other ephemera contributing to the distinctiveness of this high-desert settlement. Highlighting the moments in Lancaster’s history that make it a unique cultural destination, Celebrate Lancaster tells the story of the City’s inimitable heritage, valuable to both local residents and visitors to the region.

Luminous Mysteries Human Symmetries Nikolas Soren Goodich September 28 - November 24, 2024 Back to All Exhibitions MOAH:CEDAR and the Lancaster Museum of Art and History (MOAH) are pleased to announce Luminous Mysteries Human Symmetries , an exhibition by artist Nikolas Soren Goodich. Luminous Mysteries Human Symmetries will be on view at MOAH:CEDAR from Saturday, September 28th to Sunday, November 24th, 2024. The opening reception for the exhibition will take place on Saturday, September 28th from 4 - 6PM. MOAH:CEDAR’s newest exhibition, Luminous Mysteries Human Symmetries, showcases Goodich’s ability to transform his trauma, presenting viewers an opportunity to authentically connect and examine the idea of self and the imaged “other,” through the harmony and incongruence of images. His artistic practice explores the paradox of asymmetry and symmetry through monoprint profile portraits, and large scale installation, that allow for moments of quiet contemplation and close examination through its incandescent qualities . Nikolas Soren Goodich is a mixed-race Los Angeles native. He studied at the Rhode Island School of Design and School of the Museum of Fine Arts, Boston in the late 1980s, School of the Art Institution of Chicago in the late 90s and earned his Bachelor of Fine Arts in Painting and Printmaking at VCUarts in 2019. He has worked as an art preparator for 25 years at some of the most prestigious galleries and museums on the east and west coasts, all focused on fostering curatorial diversity. He is currently represented by galleries in Los Angeles and The Hague, Netherlands, with works in private collections in the United States, United Kingdom, and European Union.

The See and Be Seen exhibition highlights the artwork of each of the students that participated in the Bike and Pedestrian Safety campaign of the same name. Together, See and Be Seen invites students of the Antelope Valley to think critically about transportation and safety through four vital perspectives: Eyes Up, Phone Down; Make Eye Contact; Ride Right In the Bike Lane; and Walk Between the Lines. Remember, you want to See and Be Seen!

Emanations: Light, Growth, and Renewal in the Lancaster Museum of Art & History Collection Various December 20, 2025 - January 18, 2026 Back to All Exhibitions

Event Calendar Recurring Events Spotlight Café Figure Drawing Creative Pollination Every Fourth Friday of the month Doors Open 5 PM Open-Mic Performances 6 PM Event goes until 8 or 9 PM (depending on number of acts) Every second and fourth Sunday of the month First session ( beginner or advanced-clothed) 1 - 3 PM Second session ( advanced-clothed or nude-18+) 3:30 - 5:30 PM Every third Thursday of the month Share your artwork Special Guest Speakers Workshops 5-8 PM

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