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39th Annual All-Media Juried Art Exhibition Juried Art Exhibition June 1 - July 21, 2024 Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are excited to announce the 39th Annual All-Media Juried Art Exhibition for this year.

Chie Hitotsuyama To Hear Your Footsteps October 2, 2016 - January 7, 2017 “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us.

Johnny Dearest and Ricardo Cisneros Spirits November 7, 2015 - January 10, 2016 “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros “Spirits” by Johnny Dearest and Ricardo Cisneros MOAH:CEDAR opened its Spirits show, highlighting work by local artists Johnny Dearest and Ricardo Cisneros. Both Dearest and Cisneros explore the tension born of contrasts in their art, which is informed by their shared desire for an alternative to the material world. Featuring fantastic, ethereal imagery, Spirits addresses the exhibiting artists’ disillusionment with reality. Johnny Dearest: SPAT Ricardo Cisneros:GHETTO /GOTHIC

Lancaster Photography Association Living in the Mojave February 22, 2020 - March 2020 “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association “Living in the Mojave” by Lancaster Photography Association The Lancaster Photography Association (LPA) is a non-profit organization formed in the 1960s by local photographers who wanted to share their love and enthusiasm for photography. LPA promotes education, information, inspiration, and opportunity for all persons interested in photography and that supports the philanthropic endeavors in the community through photography. The exhibition, Living in the Mojave, centers around the entire breadth of life and experience present within the Antelope Valley. Featuring: Bob Fields,Carol Moss, Christine Wilkins, Darren Cole, Dean Webb, David G. Wilkins, Fran Marroquin, John Geldermann, Kathryn Newman, Lidia Csernyey, Oran Z. Belgrave Sr., Robert A. Miranda, Shirl Airov-Bieling, Terry E. Dickerson, Thomas Van Langenhoven, Tom Jordan

Various Artists Solstice May 30 - June 28, 2015 Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Solstice Marthe Aponte, Christine Kline, Antoinette De Paiva and Terry Cervantes led an intimate and explorational tour about their artistic processes.

Karchi Perlmann CODE August 13 - October 23, 2022 CODE is a collection of images that have been deconstructed within its digital file, or in other words, hacked in its “DNA.” Toppling the code of the original image file can affect properties such as contrast, RGB (Red-Blue-Green) values, and the pixel properties’ structure and order. It may even cause an image to cease to exist. These changes appear like glitches from a motion picture, presenting new forms and conditions, contributing to the large-scale artworks’ prominent and subtle sensory experience. While Perlmann specifically targets certain image properties, the final results are always unexpected and randomly calculated, leaving traces of human activity in the subject’s virtual and physical environment. This ongoing body of work is rooted in the conventions of the alternative processes of photography. However, this exhibit pushes beyond these processes by examining the foundation and entity of an image. Perlmann proposes the following questions for consideration when viewing his work: is an image a virtual or physical entity? Is a traditional photograph an image or a physical expression of a perception? Are all visual artists, in essence, image makers, constructors of ideas and concepts, generators of mirages of a world that resides in the human psyche? And lastly, what is the place of an image in the human experience? Leaving to interpretation whether an image’s building blocks are its code or the image is, in effect, a code of human perception. Perlmann is interested in creating images that yield an exchange between reason and the enigmatic, or the explainable and unexplainable. Many of his works are reactive for both the viewer and himself, “giving voice to profound encounters that trigger the instinctive, emotional, and intellectual self.” Perlmann was born in Budapest, Hungary, where his journey began as a photographer, independent filmmaker, and imaging artist. He currently resides in Los Angeles, where his work focuses on Southern California and his immediate environment.

Royal Disillusion Zära Monet Feeney January 30, 2021 - June 27, 2021 Zara Monet Feeney_Encore.jpg Zara Monet Feeney_Killer Crown.jpg 3_Zara Monet Feeney.jpg Zara Monet Feeney_Encore.jpg 1/4 360 virtual tour by Birdman ​ There is a specific moment when we suspend our disbelief and are seduced by an illusion. When this happens, we are not looking at something, but looking at ourselves perceiving it. This exhibition psychoanalyzes the horrors of our current pandemic, political warfare, personal trauma, and the mental delirium of quarantine. The paintings scintillate and fade between sinister and majestic, grotesque and imperial, exposing the emotional upheaval of cognitive dissonance and dissociation. Using obscured installation and subtle shifts of color and light temperature, the viewing experience becomes nuanced and introspective. More broadly, the paintings also engage in a conversation with intersectional queer feminism, traditional voyueristic compositions, the male gaze and socio-sexual empowerment issues. Aesthetically, they illuminate an Old Master style; the subjects are posed, the mood is dramatic, but they also exploit and contemporize it; the locus of composition is skewed, the light logic is reversed. Meticulously choreographing a dramatic dynamic between the subject and the space it occupies, the work is able to guide, critique and call into question the generic way a painting is received. The work is aimed to reify a psychological and reflexive viewing experience that ultimately transcends the viewer into an unknown consciousness. Feeney’s paintings are published in Huffington Post, Manifest, Juxtapoz, BeautifulBizarre, Young-Space, Uproxx and Art in America. She has been awarded fourteen solo shows and thirty seven selected group exhibitions in the past five years. Her credentials also include numerous national and international art residencies and first place honors at juried group competitions. She has a Bachelor of Arts from University of California Los Angeles and a Master of Fine Arts from Laguna College of Art and Design. Feeney is a college professor and exhibiting artist based in Los Angeles Back to All Exhibitions

Nay & Julie Schuder The World According to Sim February 5, 2015 The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim The World According to Sim Best friends and partners for over two decades, Nay and Julie share an unusual bond. Their unspoken understanding of one another, coupled with their ever increasing desire to challenge the limits of clay create the ideal scenario for collaboration in sculpture. Benefiting by their merged strengths, their concepts evolve into surreal creations revealing a light-hearted, innocent charm and organic nature with a spontaneous quality all their own.

Various Artists Juried Art Exhibition 2016 June 11, 2016 - July 17, 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 Juried Art Exhibition 2016 The Lancaster Museum of Art & History and MOAH:CEDAR are excited to announce that, beginning this June, the museum’s annual all-media juried exhibition will be moved to the Cedar Center for the Arts. The exhibition kicks off with CEDARFEST, a one-night-only festival celebrating the artists. This year’s jurors include local, internationally recognized artist Stevie Love and Los Angeles Arts Association Executive Director and curator Peter Mays. ​ CEDARFEST, the exhibition, will be on view Saturday, June 4th, through Saturday, July 9th, 2016. Upper and lower galleries will be open to the public during MOAH:CEDAR’s hours of operation, Thursday – Sunday, 2 P.M. – 8 P.M. Community members are invited to view the art and share photos on social media using #CEDARFEST. Visitors are also encouraged to vote for their favorite pieces using #CEDARFESTCHOICE2016, as the artwork with the most votes on Instagram will receive a special prize following the exhibition. All exhibiting artists will receive an electronic catalog listing all participants and their displayed works. ​​Jurors ​ Stevie Love lives and works in Juniper Hills in the foothills overlooking the Mojave Desert one hour north of Los Angeles in an adobe house that she and her husband made by hand. She earned a Bachelors degree at California State University at San Bernardino and a Masters of Fine Art degree from Claremont Graduate University in Claremont, California. ​ Since earning her Masters degree, she has been developing a diverse body of work that transcends the boundaries between painting and sculpture, using paint as a sculptural medium, paint that is released from the confines of the customary rectangle, blurring the boundary between us the viewer and the relationship we usually have to painting as a pictorial metaphor, instead bringing paint to us as its own reason for being. The play back and forth between metaphor and reality gives the work a life all its own. Peter Frank has described her work as “the moment where pictorial language and mental imagination, conventional thought and erratic vision give way to one another”. ​ Peter Mays is the Executive Director of the Los Angeles Art Association (LAAA) and its premiere La Cienega exhibition space Gallery 825. Mays believes LAAA is now poised to launch the next phase of the 91-year-old organization’s expansion and commitment to Los Angeles’ emerging artists. Since joining LAAA in June 2005, Peter has implemented cultural exchanges with Switzerland (Basel), Korea, Germany and China along with initiated collaborative programming with institutions like Harvard, MoCA and Otis. As well as with artists Tim Hawkinson and Lita Albuquerque, secured the very best curators to jury LAAA exhibitions, increased LAAA’s career development programs and direct services by 30% and created LAAA’s public art program which was selected as one of the top public art works completed in 2010 by Americans for the Arts. ​ CEDARFEST Award List Best of Exhibition: Christine Kline, Outlook. 2nd Best of Exhibition: Christopher Darga, Woman in Hat 3rd Best of Exhibition: Marthe Aponte, Virtual Landscape Beryl Amspoker Memorial Award: Rose Rieux , Genesis Emerging Artist Award: Nuri Amanatullah, Displacement Lakes and Valleys Art Guild Award: Christopher Darga, Woman in Hat Dean Webb Memorial Award: Helen Henry, Step On In Painting 1: Geoffrey Levitt, Night Train Lights Painting 2: Bryan Ida, China Basin Painting 3: Pablo Mercado, Self Portrait Photo 1: Juan Jimenez, Downtown L.A. 3rd Street bridge Photo 2: Chung Ping Chen Photo 3: Jamerson Adams Illustration 1: Nuri Amanatullah Illustration 2: Rose Rieux Illustration 3: Neil Vilppu 2D Mixed Media 1: Ulrica Bell 2D Mixed Media 2: Julius Eastman 2D Mixed Media 3: Eduardo Esquivel 3D Mixed Media 1: Katherine Stocking-Lopez 3D Mixed Media 2: Shahin Massoudi 3D Mixed Media 3: Terry Cervantes ​ Honorable Mentions: Ezequiel Marzochetti Sal Silvestre Vasquez Douglas Wade Terry Cervantes Christine Kline Karen Stocking Jim Kelso Amanda McIntosh

Juried Art Exhibition 39th Annual All-Media Juried Art Exhibition June 1 - July 21, 2024 Juried Art Exhibition 2024.png Juried Art Exhibition 2024.png 1/1 ​ ​ The Lancaster Museum of Art and History (MOAH) and MOAH:CEDAR are excited to announce the 39th Annual All-Media Juried Art Exhibition for this year. Back to All Exhibitions

JJ L'Heureux Faces From the Southern Ocean December 8, 2018 - February 10, 2019 “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux Antarctica is completely surrounded by the Southern Ocean. There are no sounds except for reverberating wind and water punctuated by the cracking and booming of ice as it breaks off into the sea. It is a pristine place, overwhelming and awesome. Faces From the Southern Ocean embodies the spirit of the Southern Ocean and Antarctica, a realm dominated by sky and cold. Reindeer, seals and penguins—inhabitants of this icy region—along with breathtaking landscapes are captured in photographs from L’Heureux’s more than a dozen expeditions to this region.

Dani Dodge PRIME November 12, 2022 - January 22, 2023 PRIME is an exploration of place. An acknowledgment of the impact and power of location as an inspiration and means of transporting us beyond ourselves. Dani Dodge’s exhibition, PRIME , occupies each of MOAH: CEDAR’s three galleries. Works created by participants during Dodge’s 2019 residency at the Preserve are displayed in the lobby. In the North Gallery, Dodge constructs an interactive environment inspired by the Prime Desert Woodland Preserve and its sunrises. Imagery from her expeditions to the Preserve are created with gold leaf and pastels on layers of translucent curtains. A 10-minute looping soundtrack of Dodge using her cello interspersed with the sound of animals at dawn accompanies the visual work to produce a dream-like environment. A metal mattrFess spring hangs in the center of the gallery as an artifact of a Mojave desert dig reminiscent of the one she saw in the Preserve. The twisted mattress spring is emblematic of how human intrusion simultaneously modifies and is absorbed into the landscape. Visitors are invited to consider what locations bring them peace, and to write those on slips of paper that they pin to the installation as they walk through. In the South Gallery, Dodge shows three separate collections of work, and a second recovered metal mattress spring that was reshaped by nature after being discarded by humans into the desert. The collections include a video installation inspired by the images of animals at the Preserve captured on motion-sensor video cameras, a collection of paintings in gold leaf exploring her love of Joshua trees, and a collection of miniatures depicting Joshua tree sprouts that spell out nature’s cry for help in Morse Code. Dani Dodge spent 2019 focused on the Prime Desert Woodland Preserve in Lancaster, California as an artist-in-residence. During her bi-weekly visits, she traversed the trails, connecting with the desert landscape and its residents. Unsure of how her presence might affect the wildlife, she installed motion-detecting video cameras to unobtrusively monitor the area when humans were not present. To serve as a counterbalance to her personal experience, she led monthly art activations at the Preserve that allowed participants to share their perspectives of the area through art. Although the residency concluded in December 2019, Dodge returned regularly to the Preserve to record the sounds and sights, and watch each New Year’s sun rise over the Joshua trees.