Search Results

CEDARFEST 2016 Antelope Valley Union High School District April 9, 2020 - May 7, 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 1/42 ​ ​ The Lancaster Museum of Art & History (MOAH) and MOAH:CEDAR were pleased to host CEDARFEST Student, the Museum's High School Student Arts Festival! Hosted at MOAH:CEDAR, a space that has a longstanding history of being recognized as the community hub of art and culture, the student-driven exhibition kicked off with a one-night festival and awards ceremony celebrating the young artists. Featuring college recruiters, art demonstrations, a DJ and a well-known local food truck, this highly anticipated event was an unforgettable evening for students and community members alike. Media categories featured in the exhibition include: painting, drawing, ceramics, digital and film photography, 2D and 3D mixed media, and short film. Festival liaisons were Jennifer Newman-Bird from Littlerock High School, and Robyn Young, from Eastside High School. Back to All Exhibitions

Antelope Valley Union High School District CEDARFEST 2016 April 9, 2020 - May 7, 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 Cedarfest 2016 The Lancaster Museum of Art & History (MOAH) and MOAH:CEDAR were pleased to host CEDARFEST Student, the Museum's High School Student Arts Festival! Hosted at MOAH:CEDAR, a space that has a longstanding history of being recognized as the community hub of art and culture, the student-driven exhibition kicked off with a one-night festival and awards ceremony celebrating the young artists. Featuring college recruiters, art demonstrations, a DJ and a well-known local food truck, this highly anticipated event was an unforgettable evening for students and community members alike. Media categories featured in the exhibition include: painting, drawing, ceramics, digital and film photography, 2D and 3D mixed media, and short film. Festival liaisons were Jennifer Newman-Bird from Littlerock High School, and Robyn Young, from Eastside High School.

Perceive Me Kristine Schomaker October 9, 2021 - December 12, 2021 1/12 ​ ​ Featured Artists: Amanda Mears, Anna Kostanian, Anna Stump, Ashley Bravin, Austin Young, Baha Danesh, Betzi Stein, Bibi Davidson, Bradford J Salamon, Caron Rand, Carson Grubaugh, Catherine Ruane, Chris Blevins-Morrison, Christina Ramos, Cynda Valle, Daena Title, Daggi Wallace, Dani Dodge, Debbie Korbel, Debby/ Larry Kline, Debe Arlook, Diane Cockerill, Donna Bates, Elizabeth Tobias, Ellen Friedlander, Emily Wiseman, Geneva Costa, J Michael Walker, Jane Szabo, Janet Milhomme, Jeffrey Sklan, Jesse Standlea, John Waiblinger, Jorin Bossen, K Ryan Henisey, Karen Hochman Brown, Kate Kelton, Kate Savage, Kerri Sabine- Wolf, Kim Kimbro, L Aviva Diamond, Leslie Lanxinger, Mara Zaslove, Marjorie Salvaterra, Martin Cox, Monica Sandoval, Nancy Kay Turner, Nurit Avesar, Phung Huynh, Rakeem Cunningham, Serena Potter, Sheli Silverio, Susan Amorde, Susan T. Kurland, Sydney Walters, Tanya Ragir, Tony Pinto, and Vicki Walsh. In Perceive Me, an installation of 73 artworks from 60 different artists, organizer and instigator Kristine Schomaker challenges society, the art world, and herself to become more accepting of human differences — especially differences in size. For the project, Schomaker asked Los Angeles-based artists to do nude portraits of her plus-size form using any media. She then took on a performative role, posing in the nude for each artist, and in turn the artists created work that reflects their unique perception of her. Instead of critiquing or shaming Schomaker’s body, which is so often the experience of plus-sized people, the artists celebrated it by creating paintings, drawings, photographs, sculptures, video, and even a 3-D print. As an ongoing project, the collaborations with participatory artists have become part of Schomaker’s personal creative growth and emotional healing. She comments, “Not only is the art outstanding but the love they have for me is reflected in the works. Their vision of me heals me on levels beyond the body.” Schomaker sees Perceive Me as a vital social practice, opening the door for conversations about the personal and universal values of self and society. She states that it is a “platform for empowerment, for owning who we are, for being unique and authentic, for taking back our bodies… for being true, powerful and strong no matter what body shape, size, color, or gender we are. Perceive Me is for everyone.” Kristine Schomaker is an artist, curator, and publisher living and working at The Brewery Artist Lofts in Los Angeles, California. She earned her Bachelor of Art degree in art history and Master of Art degree in studio art from California State University, Northridge. Schomaker founded Shoebox Arts in 2014, followed by Shoebox Projects, an alternative art space, in 2017. She is also the publisher of Los Angeles contemporary art magazine Art and Cake. Schomaker is currently the president of the California State University Northridge Arts Alumni Association and social media manager for the Brewery Artwalk Association. Back to All Exhibitions

Untethered Sonja Schenk January 8, 2015 Untethered Untethered 1/1 ​ ​ Sonja Schenk is an artist based in Los Angeles. She began as a video artist and has since turned to painting and sculpture. She has participated in group shows at the Vincent Price Art Museum, the Berkeley Art Center, Tarfest LA, and Cerritos College Art Gallery. Her work has been featured in NY Arts Magazine, the Eastbay Express, the San Francisco Chronicle, Forth magazine, and at rhizome.org. She has had shows in Northern California, Los Angeles and has been invited to do a site-specific work at a museum in Switzerland, her first show outside the U.S. Noah Thomas' exploration of sound is influenced by landscape and by an internal landscape/soundscape embodied in the construction of ‘place.’ Thomas’ improvisational practice currently uses the analogue manipulation of sound from a variety of sources, looped digitally and offset in time to create a sense of space/place. The instruments he uses include trumpet, cedar flute, conch, keyboard, Theremin, tonal percussion instruments, sound toys and natural objects. Thomas used a variety of these instruments to interpret Sonja Schenk’s paintings and sculptures during the opening reception. Just as the physical landscape delivers a wide range of sensory cues, clues and delights, so do Thomas’ soundscape. Together with Sonja Schenk’s works, which stack and crumble, rise and fall like the terrain, they become a new construction of place. Back to All Exhibitions

We Are All In This World Together Dean and Laura Larson July 22, 2023 - September 10, 2023 Dean and Laura Larson, Patient Listner, Archival Pigment Print, 2017 Laura Larson, Buffalo at Lyon, Archival Pigment Print, 2016 Dean and Laura Larson, Fiddling Around, Digital Image on Aluminum Panel, 2022 Dean and Laura Larson, Patient Listner, Archival Pigment Print, 2017 1/4 ​ ​ Artists Dean and Laura Larson collaborate in a cautionary series of stories chronicling the consequences of climate change and extinction told through the lens of the Larson’s hybrid animal-human creatures called The Mourners . Inspired by the 14th and 15th century sorrowful alabaster figures of monks and clerics surrounding the tomb of John the Fearless, the second duke of Burgundy, the Larson’s take these symbols of religious devotion and create their own figures grieving the loss of life on earth. Through Dean’s digitally manipulated photographs and Laura’s anthropomorphic figures, The Mourners traverse different historical periods of time in Europe. Their journey starts from the rudimentary beginning of time to the eventual destruction of Earth to examine, lament, and eventually create their own surrealist utopia. Together, the Larson’s have a combined experience of 90 years making art. Dean and Laura Larson’s collaborative imagery uses the parlance of storytelling, through digital images and sculptures. In 2015, drawing from Dean’s love of architecture and landscape and Laura’s fascination with medieval sculpture, they began combining their photographic images from various locations, especially Europe. Dean and Laura live in Los Angeles and have both shown their work extensively over the course of their marriage, individually and collaboratively , as well as nationally and internationally. Back to All Exhibitions

Kristine Schomaker Perceive Me October 9, 2021 - December 12, 2021 Featured Artists: Amanda Mears, Anna Kostanian, Anna Stump, Ashley Bravin, Austin Young, Baha Danesh, Betzi Stein, Bibi Davidson, Bradford J Salamon, Caron Rand, Carson Grubaugh, Catherine Ruane, Chris Blevins-Morrison, Christina Ramos, Cynda Valle, Daena Title, Daggi Wallace, Dani Dodge, Debbie Korbel, Debby/ Larry Kline, Debe Arlook, Diane Cockerill, Donna Bates, Elizabeth Tobias, Ellen Friedlander, Emily Wiseman, Geneva Costa, J Michael Walker, Jane Szabo, Janet Milhomme, Jeffrey Sklan, Jesse Standlea, John Waiblinger, Jorin Bossen, K Ryan Henisey, Karen Hochman Brown, Kate Kelton, Kate Savage, Kerri Sabine- Wolf, Kim Kimbro, L Aviva Diamond, Leslie Lanxinger, Mara Zaslove, Marjorie Salvaterra, Martin Cox, Monica Sandoval, Nancy Kay Turner, Nurit Avesar, Phung Huynh, Rakeem Cunningham, Serena Potter, Sheli Silverio, Susan Amorde, Susan T. Kurland, Sydney Walters, Tanya Ragir, Tony Pinto, and Vicki Walsh. In Perceive Me, an installation of 73 artworks from 60 different artists, organizer and instigator Kristine Schomaker challenges society, the art world, and herself to become more accepting of human differences — especially differences in size. For the project, Schomaker asked Los Angeles-based artists to do nude portraits of her plus-size form using any media. She then took on a performative role, posing in the nude for each artist, and in turn the artists created work that reflects their unique perception of her. Instead of critiquing or shaming Schomaker’s body, which is so often the experience of plus-sized people, the artists celebrated it by creating paintings, drawings, photographs, sculptures, video, and even a 3-D print. As an ongoing project, the collaborations with participatory artists have become part of Schomaker’s personal creative growth and emotional healing. She comments, “Not only is the art outstanding but the love they have for me is reflected in the works. Their vision of me heals me on levels beyond the body.” Schomaker sees Perceive Me as a vital social practice, opening the door for conversations about the personal and universal values of self and society. She states that it is a “platform for empowerment, for owning who we are, for being unique and authentic, for taking back our bodies… for being true, powerful and strong no matter what body shape, size, color, or gender we are. Perceive Me is for everyone.” Kristine Schomaker is an artist, curator, and publisher living and working at The Brewery Artist Lofts in Los Angeles, California. She earned her Bachelor of Art degree in art history and Master of Art degree in studio art from California State University, Northridge. Schomaker founded Shoebox Arts in 2014, followed by Shoebox Projects, an alternative art space, in 2017. She is also the publisher of Los Angeles contemporary art magazine Art and Cake. Schomaker is currently the president of the California State University Northridge Arts Alumni Association and social media manager for the Brewery Artwalk Association.

Faces From the Southern Ocean JJ L'Heureux December 8, 2018 - February 10, 2019 “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux “Faces From the Southern Ocean” by JJ L'Heureux 1/8 ​ ​ Antarctica is completely surrounded by the Southern Ocean. There are no sounds except for reverberating wind and water punctuated by the cracking and booming of ice as it breaks off into the sea. It is a pristine place, overwhelming and awesome. Faces From the Southern Ocean embodies the spirit of the Southern Ocean and Antarctica, a realm dominated by sky and cold. Reindeer, seals and penguins—inhabitants of this icy region—along with breathtaking landscapes are captured in photographs from L’Heureux’s more than a dozen expeditions to this region. Back to All Exhibitions

Various Artists Smaller Footprints: Artists Examine Global Warming January 28, 2016 - March 2016 On Saturday, January 30, MOAH:CEDAR’s exhibition, Smaller Footprints, opened as part of the Lancaster Museum of Art & History’s (MOAH) award-winning Green MOAH Initiative. This exciting exhibition, which featured international artwork that addressed the subject of climate change, marked a partnership between the Museum and the Women Eco Artists Dialog (WEAD), a group of arts professionals working with environmental and social justice issues. Smaller Footprints showcases work that reflects the life-altering effects of climate change and its impact on water, food, human health, social justice, and species loss. The exhibit was curated by Linda Weintraub, WEAD member and prominent American eco-art writer/educator; WEAD cofounder/chair Susan Leibovitz Steinman; and MOAH/Cedar administrator/curator Robert Benitez. Smaller Footprints is a celebration of the 20th anniversary of WEAD’s distinguished history. Of the inspiration behind the exhibition, Weintraub states, “Impending climate calamity impinges upon all humans and all forms of life. Smaller Footprints promises to leave larger imprints upon the sensibilities of all viewers.” Smaller Footprints Juried Artists: Celia Anderson, Krisanne Baker, Laura Spalding Best, Lisa Breznak, Sandra Camomile, Reenie Charriere, Katie Craney, Nicole Dextras, Pascaline Doucin- Dahlke, Danielle Eubank, Nancy Gesimondo, Angela Gonzalez, Gina Herrera, Elizabeth Kenneday, Water Kerner, Artists Formerly Known As Women, Laura Larson, Olga Lebedeva, JJ L’Heureux, Joanne Mattillo, Sandra Mueller, Leslie Morgan, Aline Mare, Christine Neill, Anna Olsson, Paula Ortega, Katharine Owens, Meike Paniza, Bonnie Peterson, Alice Raymond, Robin Repp, Yolanda Reyes, Fabiola Rodriguez, Ilse Schreiber-Noll, Seda Saar, Soraya Sharghi, Jessica Stalvey, Lorna Stevens, Suzy Sureck, Ruth Wallen, Riva Weinstein, Tammy West, Elizabeth Wood, Shai Zakai. WEAD Board Participating: Krista Anandakuttan, Christina Bertea, Hagit Cohen, Verona Fonte, Michele Guieu, Isabella La Rocca, Carol Newborg, Sharon Siskin, Susan Leibovitz Steinman, Andree Thompson, Mary White, Raheleh Minoosh Zomorodinia.

To Hear Your Footsteps Chie Hitotsuyama October 2, 2016 - January 7, 2017 “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama “To Hear Your Footsteps” by Chie Hitotsuyama 1/7 ​ ​ ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Back to All Exhibitions

Various Artists Regarding Us Chain Letter Project July 11 - August 22, 2015 Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project Regarding Us Chain Letter Project The Regarding Us Chain Letter Project is a self-curated group exhibition celebrating creativity in the Antelope Valley. The process began with a small group of artists who were initially invited to show their work by community engagement artist Rebecca Niederlander. This group then each invited 5 artists to also participate. Those 5 invited 5 more artists, thus leading to your invitation. The process will continue on with more invitations until the installation date. The result is an exponentially massive, community-curated project filled with work by an extraordinary array of Antelope Valley creatives. The Regarding Us Chain Letter Project is a part of Antelope Valley Art Outpost, a creative placemaking project that supports regional vitality in the Antelope Valley.

Diane Williams Imagined Hybrid December 7, 2019 - February 9, 2020 “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams “Imagined Hybrid” by Diane Williams Diane Williams is a non-binary immigrant artist from the Philippines whose interdisciplinary work stems from the political and social landscape that surrounds her—specifically the ethnically diverse neighborhoods of Los Angeles. These neighborhoods are a “melting pot,” a testament to the idea that people of diverse backgrounds and identities can live harmoniously. By creating works regarding immigrants and gender, Williams’ work encourages cultural and social understanding by focusing on the duality, hybridity, and ambiguity that exists in diverse cultural narratives and identities. In the series Monsters and Aliens, Williams creates a variety of masks crafted from what she calls “cultural detritus”: shredded paintings and other discarded materials such as fabrics and yarn that have been salvaged from local shops that are traditionally owned, run and supported by immigrants. She wears these masks to signify “other” in her performances and self-portrait photographs. By completely covering the wearer’s face, the mask both takes away their humanity and transforms them into a human/animal hybrid, recalling female monsters from Ancient Greece, such as Medusa, the Sirens, and Chimera. These creatures were considered powerful, evil, and frightening. Williams wants the viewer to question what they fear from strangers and reflect on their own prejudices with respect to race and gender. Diane Williams is an interdisciplinary artist and organizer based in Los Angeles, California. She earned a Bachelor of Fine Arts degree from California State University, Long Beach in 2013 and is currently a 2021 Master of Fine Arts candidate at the University of Southern California. Her work has been featured in select publications and radio interviews including Los Angeles Magazine, LA Weekly, Artillery, Art and Cake, P&A Magazine and KPFK. Williams exhibited in several solo and group shows at the Armory Center for the Arts, Walter Maciel Gallery, The Lancaster Museum of Art and History, PØST, Cerritos College Gallery, Robert and Frances Fullerton Museum of Art RAFFMA, Children’s Museum of the Arts New York, Berkeley Art Center, San Francisco Arts Commission Galleries SFAC and Grafiska Sällskapet Stockholm, Sweden among others. Her art is held in private collections and the public collections of the National Immigration Law Center, Los Angeles and Washington DC headquarters and Azusa Pacific University.

The Kids of AV SEE AND BE SEEN Fall 2020 ​The See and Be Seen exhibition highlights the artwork of each of the students that participated in the Bike and Pedestrian Safety campaign of the same name. Together, See and Be Seen invites students of the Antelope Valley to think critically about transportation and safety through four vital perspectives: Eyes Up, Phone Down; Make Eye Contact; Ride Right In the Bike Lane; and Walk Between the Lines. Remember, you want to See and Be Seen!